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The baby-cursing Maleficent gets to uncover a softer, less-wicked side

The baby-cursing Maleficent gets to uncover a softer, less-wicked side

She is a meanest lady ever to get her possess plush toy.

Maleficent, a disagreeable angel from “Sleeping Beauty” who condemns a tot Princess Aurora to die, is a protagonist of a new film starring Angelina Jolie and an doubtful impression to exaggerate her own, $175-million, PG-rated fantasy, finish with tie-in Hot Topic conform line and huggable, 7-inch doll (retail price: $11.99).

But this villainess — who carries on her black wings a formidable story of women and energy — has a surprisingly zealous fan bottom of outsiders and eccentrics, commencement with a movie’s 38-year-old star. For Jolie, as for some others who sidestepped a princess phase, Maleficent represented a charismatic choice to traditional, pacifist fairy-tale heroines.

The new film, created by “Alice in Wonderland” screenwriter Linda Woolverton and destined by “Alice” and “Avatar” prolongation engineer Robert Stromberg, presents a some-more sensitive proclivity for Maleficent’s cruelty. Sharlto Copley plays King Stefan, a many some-more difficult masculine than a “good king” of a strange tale; Elle Fanning is a ethereally pleasing and accursed Aurora; and 14-year-old English singer Isobelle Molloy, from a British TV array “EastEnders,” is immature Maleficent.

“The story says ‘Good King Stefan,’ ” Woolverton says. “I thought, ‘Well, what’s so good about him? Maybe he isn’t so good, looking during a whole thing upside down from her prove of view. Nobody has to be who they confess to be.”

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